If I Go Will They Miss Me
"He sees you in a way we could never see our fathers - as a god."
"He sees you in a way we could never see our fathers - as a god."
"You wrote a masterpiece. Whether people know about it or not. That's forever."
"Places within the mind echo as landscapes."
"Listen...have you seen...a tiger?"
"The ones we lost, to The Sickness, they do not rest. They haunt our dreams."
"It is done."
Summer blockbuster season draws to a close, and festival season is about to begin.
If you turned off the adaptation of Cocoon - One Summer of Girlhood before reaching the halfway point of its short, sixty minute runtime, you'd likely mistake it for Japanese military propaganda, which is unmistakably curdled by what comes after. Although the location, time period, and details of the
"Of course I'm scared. You have to be scared to be brave."
"You talk about it so academically. Camp Miasma wasn't about cultural depictions of monstrosity or gender trauma or any of that stuff. It was about two very simple things: flesh…and fluids."
"That's what we do. We settle."
"We'll be vagrants. Sea urchins. Maybe even orphans!"
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"I've met a whole lot of smart people not patient enough to wait for something to grow. Yeah, I'd rather be patient than smart."
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"I feel like God's finally noticed me. That means I'm a prophet."
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"Is that a fucking dinosaur?!"
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Having popularized the "torture porn" genre in the mid-00s, a layering of American sensibilities onto the depravity of the then-thriving New French Extremity movement, writer/director Eli Roth will always loom large in the history of horror. This despite his frankly terrible track record. With the
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"If I could fall / Into the sky / My vagina / Would be just fine"
Quick Hits
Despite The Odyssey and Spider-Man: Brand New Day dominating the local multiplex, I was able to keep up my regular pace, both of catching new releases and of writing. And that's even before you consider the three films for which I caught an early screening, whose reviews
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"Say it with me: I am a wholly unique consciousness."
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"Last night, I gave a special party to myself, with everything I love. I told myself I deserve it. I must make the most of life, no?...We are going to be just fine."
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"The song told of all my broken promises, and it said I don't want to return home."
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The best way I can spin the fundamental flaw in Gail Daughtry and the Celebrity Sex Pass is to talk about a sweater. The titular Gail (Zoey Deutch) travels to LA with close friend and fellow hairdresser Otto (Miles Gutierrez-Riley), whose cardigan is emblazoned with the pattern from the
Pop Culture Maniacs
"Everything I did before today wasn’t me. It was somebody else."
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"People forget that they deserve more. Somewhere along the way, they start living on crumbs."