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Hundreds of Beavers
...and wolves…and rabbits…and flies…and Sherlock Holmes...and...
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...and wolves…and rabbits…and flies…and Sherlock Holmes...and...
The Oscars
When the nominations dropped in January, I scanned over them with relative contentment. Nothing really jumped out at me: I’d been embroiled in posts and podcasts concerning the awards show for a bit, and just about everything I expected to happen did. I didn’t notice any major snubs,
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Exploring the true meaning of the artist putting themself into the work.
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"Power over spice is power over all."
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"So it's a unity t'ing?" "No. I-nity."
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Shout out New Hampshirrrrrrrrrrrrrrrrrrrrrrrrrre!
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"I like to base my research in SCIENCE, not legends, Mr. Sims."
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"Shit is transpiring, man."
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Man, I haven't seen a mid-credits scene like that since the height of the MCU.
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Get it? He's wearing robes, using a gavel, and executing extrajudical punishment?
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“Bees are fascinating little shits, ya know?”
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Given the internet’s tendency to (understandably) bemoan the lack of theatrical romcoms as of late, and the electric reaction to the middling (at best) Anyone But You, I’ve been stunned by the lack of hype around Which Brings Me to You. Admittedly, Nat Wolff and Lucy Hale certainly
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Mescal loves scenes in clubs with strobing lights.
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Few films have stuck with me the way I can already feel this one will.
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The thing I find most fascinating about Regal’s Mystery Movie is the gamble. Most people go to the theater only to see movies they want to see, contrasting with people like me who see everything they can. So what do you do if you go to the Mystery Movie
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Marco? Polo!